Final Presentations- Motion Studies/ Artist Statement/ 12/18


Beshoys Final Presentation






Beshoy Erian

Artist Statement

My work focuses on capturing motion, energy, and raw emotion to tell stories through still images. Through both studio and field work, I explore how controlled environments and live action can each reveal different layers of expression and movement. Sports photography became my way of connecting with American culture, especially because I did not grow up playing sports and often faced a language barrier when I was younger. The intensity of the game, the expressions, and the movement allowed me to understand and communicate emotion without words. Through my photographs, I explore how energy and emotion can transform a single moment into a powerful narrative.

Final Presentation/ Empty Chairs/ Ashley Robinson

https://docs.google.com/presentation/d/12ZLuhfHg9-lh95-QAl-IPsbFpdXvlkTxtS3UyoZ-c3g/edit?usp=drivesdk





Design Review : Designer Aileen by Taina

     

    


    Aileen Herrera Ojeda is a graphic designer with a heavy influence in the 80s art style and color themes, a reflection in her work. She focuses on Photoshop, InDesign, and Illustration softwares for her designs. For her BFA, Aileen wants to focus on snail mail, another funny way of saying mail, a company sending people different types of art every month with fun unique themes. Aileen's career goals involve working in media such as entertainment, music, TV, movies. However, her main goal is to do graphic designs in historical movies. 





    In the first video, that was created for a final project, she designed an editorial inspired by music from the 1960s-80s. The music itself became her main source of inspiration, pushing her to learn more about the artists and design sytyles from each decade. Aileen enjoys experimenting with color, resulting in a composition filled with bold colors and imagery that reflects those time periods. Each section focuses on a specific deacde, using her information of music styles and culture during that time. She is most proud of the final printed piece, costing about $60 to make ad is roughly the length of the arm. The project was created using Canva for the videos, as well as Photoshop, Illustrator, and InDesign for the designs. Aileen confesses that writing and research were the most challenging parts of the process, especially while managing time for deadlines. By the end of her project, she had a clearer understanding of her style and goals. 




    For the second video, it involves a final assignment in silkscreen featuring a booklet about a show called "Stranger Things". The show itself impacted her a lot and is a great inspiration for most of her artworks. The reasoning on why she admires the show, was due to the fun imagery and scenes. Aileen encountered many obstacles, causing to be very time consuming due to the process of being able to print it. Unfortunately, due to the strict deadlines, she was never able to finish it. She connects silkscreen printing to graphic design because of the flexibility and the different types of layouts it allows. She would love to return to silkscreen printing, with the possibility of including it in her BFA work. Since "Stranger Things" was set in the 1980s, she felt silkscreen printing working well with the decade's gritty and textured aesthetic. 

Artist Statement: Taina Luna; Visibility, Identity, Strength

     My art work centers around identity, visibility, and strength; coming from my lived experience as a transmasc person. I work primarily with oil paint to create illustrations ranging from large to small scale. My process starts with self reflection/representation, using myself as the subject to build an intimate connection with the audience. In my paintings, I focus on color theory, layering, and composition to bring emotional depth in my work. I make this work because it allows me to process my own emotional journey and transformation, while giving visibility to my audience. Much of my process is centered around my own personal experiences, my thoughts, emotions, interactions. Placing my work in public or unexpected places brings a natural unexpected reaction, discussions, and thoughts. For my art intervention, I am designing stickers, using myself as the reference, to emphasize emotional and physical strength. I"m placing them in a boxing gym, at the front desk next to their equipment, to reinforce bravery and resilience that we should all have. This will be a rest run to see how well it is received from the clientele, to see their responses to the sticker and how it resonates with them. My art is about making art that is personal, accessible, and centered around real life experiences. 

Post 4 / Knock Out the Terfs / Outbox Gym / Sticker (paper)

 



(This was before the change from Outbox Gym to the pride room)

The sticker will be displayed in the gym on the check-in table. The tables has two workers who already display their own sticker, along with boxing straps and gloves. My sticker will be placed next to theirs to emphasize the space the clients are entering. People who attend the boxing gym come for many different reasons. The significance of my sticker, especially being placed alongside the materials used to work out, is to emphasize strength and the determination to keep going towards their goals, despite how society has been treating us. The project will remain on display until the stickers are gone, and once they run out, I would place more id it does well by the people attending the gym. 

Post 2 / Research / Boxing Trans sticker

 


Questions from research:

    Some of the questions that came up was, 1, what were some ways that organizations have helped trans individuals receive the care they need in red states, 2, have there been any ways where doctors can help in red states for trans individuals? I have gathered three different sources that provides a nonprofit website that discusses, organizing communities, educating the public, analyzing policies and lawmakers, advocating at state and local hearings, training individuals to fight for human rights, connecting with people from Texas to discuss tools to counteract discrimination. My second source is from Lenox Hill Hospital, more specifically "Gerald J. Friedman Transgender Health & Wellness Program", providing different types of medical services for transgender and gender non-conforming people. Finally for my third source, specifically has transgender resources that ranges from, health & wellness, legal services, suicide prevention, information about rights, and more. 

    One of the sources, "equality Texas", specifically helps trans individuals that reside in Texas both mentally and physically. It provides various of resources that can help educate more people on what to do in red states, even giving chances to allies on how to better support them. For the next two sources, I believe I found a type of answer on how doctors can help in red states. Unfortunately, doctors in red states can only provide different advices on how families can still receive the care they need. Not only are families are in risk, clinics and doctors are too, so we all have to work together in order to live. Some other ways that doctors have been helping is providing information about the risks of denying gender affirming care, supporting the "shield laws" for their patients, and working with organizations. To go even further, the two sources brings various of information about sexual health, gender affirming care, and organizations that can help.


https://equalitytexas.org/

Health Insurance Assistance | Resource Center

https://www.americanbar.org/groups/diversity/sexual_orientation/resources/transgenderrights/#:~:text=international%20resources%20here.-,Know%20Your%20Rights,United%20States%2C%20including%20U.S.%20territories. 


Art Intervention:

    For my art intervention, I want to display a sign of courage and bravery during these scary times. In the transgender community, I believe that there has been little hope and a struggle to be able to continue living. To combat this, I will create a boxing sticker featuring a transman/masc person declaring "knock out the terfs". The reason it will be a sticker is because, it can be displayed anywhere and due to the small composition, people that have not come out due to safety reasons, can have it near them. It is a small act of defiance, against people that want to erase us, and hope, to keep going for my trans family. 


Reading Assignment:

Write 1/2 ideas, expressions, or sentences that strike you from each page of the reading.Write responses/reactions (thoughts, feelings, associations, questions, confusions, connections...) 
"While art professors often see the critique purely as a place for constructive evaluation, to many art students, the critique is synonymous with judgment day."I found this quote funny just because of how accurate it is. The way that I used to dread critiques, I still do but not as bad, is like a stone in my stomach. I know that I communicate with a lot of my peers to see how they feel before and after.
"Thus, the critique is both a deadline and a marker of a perpetual beginning, a freeze-frame moment in the context of a continuous studio practice."Understanding critiques as a deadline but also a beginning, is something that brings me almost solace. I know a lot of people, dread critiques, including me, since it's hard to have a separation between the person and art work. I have gotten better with it, but I still dread critiques. With this quote, helps me gain a different and more in depth perspective, so I can push myself to a new level. 
"The idea that the critique is really a small marker in the larger continuity of an artist's practice allows both student and teacher to think of it as a useful tracking device rather than a courtroom drama."I believe that certain professors can either provide insightful critiques or statements that does provide feedback, however, it does not give any type of helpful tool to push the student to better themselves. I have received both types of professors, and not only can I tell the difference between the critiques, I can also tell which professor wants to push me to the best artist I can be. 


    

Post 6 / A Pet for Your Grief - Zine / Digest size paper zine displayed on a tabletop alongside a DIY Cardboard Book Display / 5.5”x8.5” zine, 80lb paper

Step-by-step Instructions for Art Assistant:



1 - You will need to have the copies of the zine in hand, either picked up from me or I’ve mailed them to you.

2 - With the zines, also make sure you have both cardboard displays: one for the VAB and the other for the Writing Center. The one for the VAB is bigger and contains a pocket to hold the zines. The one for the Writing Center is smaller– just a small display stand and a cardstock card with info to go with it.

3 - Set aside about 8 copies of the zine for the VAB and 6-8 copies for the Writing Center.

4 - At the Writing Center, confirm at the front desk that you’re able to display the zines at the front table and at the second table beside their bulletin board (if second table unavailable, place at an open space at one of the tables in the waiting room). Once you get the OK, set up the small stand at the front table somewhere closest to the middle. Place the info card on to the stand and 4 copies next to it. At the second table, find an open space and place the rest of the copies neatly. 

5 - Take photo of display and send to me for approval. Once approved, head to VAB.

6 - At the VAB, go to second floor and find a space that is open for the display stand.

7 - Once a space is found, place the display stand so that you can see all the info clearly. The pocket can hold about 4 of the zines, place them into the pocket gently. The rest of the copies can be placed in front of the display.

8 - Take a photo of display and send to me for approval. Once approved, you’re all set, thanks a ton!

Artist Statement: Suzie Barretto, [Comics, Cartoons, and POC Representation]

 ARTIST STATEMENT:


My name is Suzie Barretto and I am an illustrator and graphic designer based in NJ who enjoys making short-from comics and character-driven art that live within reality, often mixed with fantasy or sci-fi elements. The stories I create can vary from being sentimental to humorous, with some dramatic bits here and there. My work is aimed more for young adults, but I've recently been interested in artwork aimed for children and teens. 

When I look back at my journey as an artist, I always found enjoyment in making comics. As a kid I would create episodic comic strips with random plotlines based on the things I liked whether it was cartoons, webcomics, or video games. There was something about the gutters in comics that always fascinated me– although the visuals on the page were still, the spaces between the panels allowed me to see the art like a movie. It’s so close to animation, which I’m also a big fan of, but it instead lives on the side of literature. Getting to incorporate my newfound love for typography into my art was something I didn’t expect would mesh so well when writing for my comics or zines. And, alongside my writing, I have my characters that make the stories possible. 

The earliest catalyst I know for why I started making my art is because of my fondness for character creation and representation. As a first-generation college student and woman of color, I didn’t always feel seen in the media I consumed, and so, I thought I’d change that once I got the skillset. Now, when I make comics, I intentionally create characters who reflect real-world diversity: people of color who are complex, funny, soft, strange, or all of the above. At the same time, I am passionate about displaying female empowerment in my artwork, and I feel like I owe it to all the women in my family that they’ll get to see more strong Latina characters being represented in comics and media. Above all, I use my art to make sense of the world and my relationships in it. Making comics helps give my personal experiences a new life and, hopefully, acts as a safe place where viewers, especially women of color, can come to escape, share a laugh, and maybe get inspired by the characters I create.

As part of my comic or zine-making process, it often starts traditionally on paper which I think works best for brainstorming a story. Depending on the context of the work, I might finish it with ink and maybe some color in marker or colored pencil, then using digital software like Procreate or Photoshop to finalize it. Lately, I find that I primarily work digitally when finishing my art, but I still enjoy using dry media that I will mix with wet media such as gouache. For typographical designs or other graphic design work, I will also start on paper and finish the work in either Illustrator or InDesign. Currently, I’m still finding an illustrative style that works best for me, and I’ll usually switch from realism to cartoony/anime-like when it comes to designing characters for a scene or sketching out a comic strip. Artists right now that I’m heavily inspired by are Natasha Allegri, TheBrujoAri, and Davi Go. I plan to find a balance of my art style soon that lies between the anime and cartoons I grew up with and the beauty I find in diverse human anatomy. 


Artist Statement / Aileen Herrera Ojeda / Funky, Colorful, and Playful

 Art has always been a part of me for as long as I can remember. Always interested in learning and working in new mediums and forms of art as I got older like oil paint, charcoal, watercolor, ceramics, printmaking and of course graphic design. While I can handle a variety of mediums, graphic design is the one that stuck with me because it gave me a freedom. I wasn't limited to what I could draw which was exciting, furthering my passion for it. I work in mainly Adobe programs such as Photoshop, Illustrator, InDesign, and most recently After Effects. Often working in these platforms all at once. Although I work digitally, my works exists physically as posters, booklets, editorials, and packaging. Working digitally often feels one dimensional but getting to see my work as functioning items in the real world is super rewarding.

My work is heavily inspired by retro and punk themes, mainly from the 60’s up till the early 2000’s. As I am working on my messaging, I’ve started to become more inspired by the revolutions and protests that occurred during these time periods. Through my work, I love to explore diverse compositions as well as to play around with everything from photos, fonts, and colors. I would describe my work as being really funky, colorful and playful. Taking much inspiration from fellow graphic designer, Kel Lauren and even photographer/director Sophia Coppola. I take a lot of inspirations from already existing graphic design trends, movies, and music as well. Currently working on looking at more fine art artists and movements to inspire future works. As I am growing as a person and artist, my messaging is shifting from one that is pure aesthetics to one that centers around my identity as a Latina-American living in this currently reality of America. I want to mix my already established aesthetic with my newfound messaging. While still wanting to try new messaging within my works, I still would like to keep my more purely interest based works a big part of what I make. 

The process of creating for me is pretty simple. Usually when given a prompt I immediately have ideas of what the final will look like, it’s just a matter of getting it done. Although already having ideas, I love to look for new design elements, effects, or even other works in the medium I am working in. Sketching is something I do once in a while if I need to further visualize an idea before making it. 

With my work I hope for audiences to enjoy and find pleasure with my aesthetics and find understanding and empathy within the meaning of it as well. I wish for viewers to get the same playful feeling that I get when designing.

Final Presentation/ The Yellow Wallpaper/ Juliette Reyes

 Presentation 




Final Presentation - Corine

 https://www.canva.com/design/DAG7PGly494/txyHuhsYhNZkFrK4oiDBtw/edit?utm_content=DAG7PGly494&utm_campaign=designshare&utm_medium=link2&utm_source=sharebutton










Final Presentation / Education for All / Brianna Pacheco

https://docs.google.com/presentation/d/1z-kR6bRG5bWhvtnbHJA0Bq1To6i1xg16RRrzLT6FKPU/edit?usp=sharing







Final Presentation / Finding Inner Peace In Our Chaotic World / Diana Saintilme

Final Presentation








Final Presentation / Knock Out The Terfs / Taina Luna

https://www.canva.com/design/DAG7Pc-tTek/O0IkdiXgIrBsjkimEITFrA/edit?utm_content=DAG7Pc-tTek&utm_campaign=designshare&utm_medium=link2&utm_source=sharebutton

Final Presentation / Traversing Time / Maria Ramos







 

Final Presentation / United We heal / Arizabeth Baez Flores.




United We Heal










Final Presentation / Take & Leave / Aileen Herrera Ojeda






Post 5/ The Yellow Wallpaper/ Budget: $21/Juliette Reyes

 

Materials

Links

Cost

8.5 x 11 yellow paper

Amazon.com: Hygloss Yellow Bright Colored Cardstock - 11x17-Inch, 50 Sheets, 65 lb/ 176 gsm, Fade-Resistant, Acid-Free Color Card Stock Paper

$20.99

Procreate

Already owned


Scissors 

Already owned


printer

Already owned



Post 4/The yellow wallpaper/NJCU/Paper/Juliette Reyes

 - Is it displayed on the wall or on the floor/ground?


For the project, I will be spreading it around NJCU and the art building. I saw the table in front of the art building to put the booklet in, as well as the bulletin board.


- Does it need to be bolted down? Secured?


Yes and no, for the bulletin board I will pin it down, but for the tables I will place it down for people to see and pick up.


- Will it be lit with a spotlight? Or does it appear discarded?


It will more likely look like it will be placed, then discarded.


- Does it take a physical shape, or is it ephemeral in nature?


I decided to make it into a small booklet.


- What is the significance of its form?


In the booklet, it would be easier to place around and easier for others to consume.


- Does that form change over time?


It might wear down, but the context inside the book should remain the same.


- How long will your project be displayed?


I’ll leave it for as long as it's there.






Artist Statement : Arizabeth Baez, Colaborative, Community-driven, Expressive.

Being an artist can mean many things. For me, it's having the ability to give the public a voice to express themselves. I always found myself to have an eye for things that most people don't see. My favorite thing is to tell stories and capture them for everyone to see and feel. I will be honest, this is my second time doing a statement apart from the Junior Review. But I find it very important to do so. Some special facts about my current work are that it can be seen as expressive and abstract. This specific artwork that I am currently doing is community-driven and collaborative. I come from a background and family that, as long as I can remember, has been very hard to express how I feel and more. So this was my chance to do something for everyone and have them know that they are not alone; it goes with the concept that I came up with, too. This culture was a percentage of my influence on this art project.

    The installation will be open and welcomes anyone who wants to pass by it. To be more specific, there is a mixed medium that is being used for this project. So, for this project, it will consist of a 36x48 chalkboard, quite a few markers, and many Band-Aids. There is a reason for all these materials. For the chalkboard, it was a good idea for the "expressive base". As for the markers, there are chalk markers to be specific. They allow for the writing to be more visible and less prone to being erased so easily. Lastly, for the band-aids, they are used to cover the writing. 

    The concept for his project is to have the community of this school answer one question: "What hurt you today...why?" They would write in small letters and then get covered (healed) with the band-aids. The band-aids are "healing" the wounds (words). Thus giving the title "United we heal". For tools, the only things that would be required to be used for this installation are a long enough table. This table will allow the project to stand out to the public. 

    I'm excited and hoping many students will participate in this. One uniqueness that this project has is that there is the use of band-aids. 

Artist Statement: Diana Saintilme, Connect, Communication, and Fascination

    My name is Diana Saintilme and I am a graphic designer. I’ve always had an interest in art since I was young. However, it was in high school, where I discovered graphic design and I realized I wanted to become a graphic designer. As a designer, I mainly create 2D and 3D art, whether it’s creating something new or recreating something that I’ve seen. However, my main inspirations when it comes to designing around are concepts that fascinate me and that I can relate to.

    The reason I create work is to connect with others on issues that we all face. I tend to create work about certain concepts such as the concept of peace and chaos which is what my art intervention project is based on. These are issues that I either have a personal connection to or a certain fascination with. My purpose is to express my thoughts on these concepts through digital art. I want to express them in a way where viewers can visualize and connect with my work.


    I usually create my art digitally because it is what I’m most comfortable with, although sometimes I like to sketch out my ideas. I visually use geometric shapes and lines to create images that would catch the attention of the viewers. I like using shapes that everyone recognizes and using them to convey my message. By using the familiarity that people have with these shapes and creating something meaning out of them, I can get my message across. This way I can communicate visually in my style that can be understood by others.


FINAL PRESENTATION-CHRISTOPHER MCVICAR

 Gun_Violence_Art_Intervention_Presentation.pptx